In 1972, in a remote section of northern New Mexico, a group of hikers discovered an unusual artifact and pictographs within an obscure canyon. An archeologist from the University of New Mexico analyzed the artifact and searched the area where it was discovered, but found no signs that a prehistoric culture had established any permanent site in the canyon. It was presumed that a nomadic, Native American Indian tribe had occasionally used the canyon as a temporary settlement and had left behind a few artefacts of their presence as a consequence.
There were, however, two very puzzling questions. All but one of the artefacts could be dated to the 8th century AD. The exception, known as the "compass" artifact, appeared to be an unusual form of technology, and was found among more typical artifacts like pottery and simple tools. The compass was covered in strange hieroglyphic symbols, some of which were also found on the pottery. Secondly, the pictographs that were found in the area had inexplicably appeared, and they were strikingly different than any of the other native petroglyphs or rock art found in the southwest or the entire continent for that matter.
(unedited)
We raise one question...
''Was Dr. Anderson's team guided by a compass similar to the hi-tech one Nephi described in the Mormon Bible?''
Dr. Anderson 1977 'It was thought to be a compass or homing device'.
'Like all the other artifacts it showed no response to carbon dating analysis and it had peculiar markings or symbols that seemed other-worldly. It was a pure grade titanium-beryllium composite, which, as you may know, is extremely rare'.
'The device, when activated, seemed to pass thought waves or mental pictures of where it wanted the person to go. The leader of our team was the one holding the device when it was first activated outside the site, and he immediately began to see pictures that led him into a cave-like structure'
1 NEPHI, 16. from the Mormon Bible (transcribed from an earlier language in 1830).
10. And it came to pass that as my father arose in the morning, and went forth to the tent door, to his great astonishment he beheld upon the ground a round ball of curious workmanship; and it was of fine brass. And within the ball were two spindles; and the one pointed the way whither we should go into the wilderness.
16. And we did follow the directions of the ball, which led us in the more fertile parts of the wilderness.
30. And it came to pass that I Nephi did go forth up into the top of the mountain, according to the directions which were given upon the ball.
Quatrain 27 Blog Alien Technology in the Bible: http://quatrain27.blogspot.com/2011/05/advanced-technology-mormon-bible.html
WingMakers Time Capsule Discovery (original)
The Book of Mormon is a sacred text of the Latter Day Saint movement. It was first published in March 1830 by Joseph Smith, Jr. as The Book of Mormon: An Account Written by the Hand of Mormon upon Plates Taken from the Plates of Nephi.
Research comparison and source link below.
Second Interview of Dr. Anderson
Dr. Anderson:
"Because it was thought to be a form of a compass or homing beacon. We weren't sure, but we couldn't determine any functional purpose in the laboratory, so it seemed like a logical experiment to see how the device would function in the area in which it was discovered.
"This was the first time I was invited to go to the site. So any rate, back to my story, this exploration team from the ACIO figured out how to use this device to locate the entrance to the interior of the canyon wall in which the time capsule was hidden. The device, when activated, seemed to pass thought waves or mental pictures of where it wanted the person to go. The leader of our team was the one holding the device when it was first activated outside the site, and he immediately began to see pictures that led him into a cave-like structure tucked 20-30 meters inside one of the clefts of the canyon wall."
Anne:
"It seems a bit strange that you found the interior of the site using this artifact you mentioned earlier . . . I mean doesn't it seem a little too convenient to find this thing right outside the entrance and then it guides you inside? Wasn't there an entrance already or did you have to blast your way inside?"
Dr. Anderson:
"The way into the interior was cleverly hidden behind a natural made cavern, which in its own right was well hidden by natural underbrush. This cavern was about 25 meters deep and led inside the canyon wall. We presumed it was an Indian dwelling of some kind that had long been abandoned. Towards the end of this cavern there was a small chamber that jutted off to the side, and at the back of this chamber there was a large, flat rock on the floor . . . maybe two and half meters across and about two decimeters thick. The device or artifact that had been found earlier was emitting mental pictures to our team leader who was convinced it had led him to this flat rock. We tried to move the rock, but it was clearly too heavy for the five of us to even budge.
"It was actually the following day that we returned to the site with pick axes and sledge hammers, and began the tedious task of breaking the rock . . . "
Anne:
"So you were convinced there was something underneath the rock?"
Dr. Anderson:
"We thought there had to be a reason that the device had sent such a clear image to our leader of this flat rock in the back of this natural cavern. It seemed logical that the device -- if it were a homing device of some kind -- might be leading us to something it was designed to help us find.
"After about two hours of smashing the rock, we finally cracked it into small enough pieces that we were able to determine a tunnel was indeed underneath it. The tunnel was in the form of a "J" and was about one meter in diameter. We took turns and slid down the tunnel and stood at the entrance of the spiral staircase."
Anne:
"So all five of you were inside this . . . this spiral staircase looking around with flashlights, what was running through your mind at the time?"
Dr. Anderson:
"We were all very excited and somewhat apprehensive as well. We thought we might find an ET site, and were half-aware that it could be an active site . . . which kept us all on guard. The device, or artifact began to emit a sound frequency that continued to rise in pitch as we walked up the tunnel and as we got to the first chamber it went entirely dead . . . as if its purpose had been served and simply shut down."
Anne:
"And this whole thing was carved out of rock?"
Dr. Anderson:
"It was completely manmade . . . or alien . . . and we knew it the instant we got out of the transition tunnel. It was like being born into a completely new world. It was absolutely silent; the air was cool, but not uncomfortably cold. There were no signs of life, and it seemed like everything took on a new purpose . . . an intelligent purpose that we couldn't wait to unravel.
"What was so remarkable was the incredible sense of walking into a surreal world -- a world that was created by something completely alien. We assumed it was of ET construction from the moment we stepped out of the "J" tunnel.
Anne:
"But how did you immediately know it was an artificial construction, and not a natural set of chambers or caves?"
Dr. Anderson:
"At the beginning of the spiral staircase there were ornate petroglyphs carved in the stone with a precision never before seen by our eyes. Also, the entire tunnel system was clearly too smooth -- almost polished -- to be of natural construction. There was a sense of architecture . . . a sense that someone designed it with extreme care and purpose.
"Amazingly there was nothing on the floor. Not even a pebble or a grain of sand. Every surface was completely clean, smooth, and polished. There was dust, but only dust. And something like a polymer coating had been applied to every square centimeter of the structure including the ceilings.
"When we arrived at the first chamber, which is only about 30 meters from the entrance, I can clearly recall a sense of awe or something approaching a religious experience I suppose. No one spoke for a long time after our lights hit the first chamber painting. Everyone's flashlight converged on the painting and we all just stared for about 40 seconds in the incredible silence of this tomblike structure. I was the first to find my voice, and all I could muster was 'This is definitely not Navaho or any other Indian tribe for that matter.'"
Anne:
"Did you find all the chambers that same day?"
Dr. Anderson:
"Yes. We went from chamber to chamber each time feeling like we had stumbled into an alien natural history museum. You have to understand that our lighting was not very good because we hadn't expected to need anything more than basic flashlights. I vividly remember seeing each of the chamber paintings for the first time and just staring at them . . . mesmerized by the incredible anachronism of the place. I'd never been in such a surreal environment . . . it was both eerie and completely enchanting at the same time."
Anne:
"So how large were the chambers and the paintings themselves?"
Dr. Anderson:
"The chambers themselves were relatively small . . . about four meters in diameter with fairly high ceilings, in some instances as high as six meters.
Anne:
"So judging from the photographs I've seen of the chamber paintings, the paintings themselves must be fairly large?"
Dr. Anderson:
"Yes, they're large and always face the entrance of the chamber. If you stand just outside the entrance of a particular chamber, you can't see the whole painting; it's too large. You have to walk into the chamber in order to see the whole composition."
Anne:
"What, in the opinions of the Labyrinth Group, are the artistic merits of these paintings?"
Dr. Anderson:
"No one within the Labyrinth Group claims to be an art critic I can assure you. I think it's fair to say that of those who saw the chamber paintings in their original environment -- the chambers themselves -- they found the artistic merits to be very compelling, even captivating. I think those who saw them only represented in photographs thought they were less art and more of a cog in some masterfully designed wheel like an illustration in a children's book."
Anne:
"Not to change the subject, but I keep wondering how you came to choose me . . . I mean . . . I know you said it was completely random, but why did you select an average journalist to share this story? Why not a scientist or someone who could at least ask you more sophisticated questions? I have to confess that I feel completely inadequate to interview you, mostly because I don't even know what questions I should be asking you . . . "
Dr. Anderson:
"You're doing a fine job . . . absolutely fine. You shouldn't worry about your questions. They're insightful. And most people, who will read this information, will be more interested in the things you've inquired about than the physics or science involved anyway."
Anne:
"Perhaps, but I have this nagging feeling that if I could ask you the scientific questions then you could more easily prove your story or credibility. I think I'm handicapping you in some way."
Dr. Anderson:
"What is it exactly that you feel you're not asking me?"
Anne:
"I guess it's mostly things related to time travel and BST. Last night you talked about some things that when I re-read them earlier today, I felt like I should have asked more in-depth questions . . . "
Dr. Anderson:
"Like . . . "
Anne:
"That's the problem, I don't know."
Dr. Anderson:
"Anne, the reason I selected you was simple. I needed to find someone who knew how to access the mainstream media, and yet be relatively obscure. Had I chosen a science editor from a major newspaper, I may have ended up with more scientific questions and less about the cultural, artistic, and social implications of the Ancient Arrow project. Of my random selections, I knew that you had no established image to protect, that you knew how to access the media, and could ask sound questions that wouldn't betray your identity. That's why we're talking right now . . . and the fact that you didn't think I was crazy."
Anne:
"I never asked you this before, but I'm just curious, was I the first journalist you talked with, or did someone turn you down before you found me?"
Dr. Anderson:
"No, you were the first and only person outside of the Labyrinth Group whom I've talked with about this story."
A copy of the original Wingmakers website and other enlightening information can be found at http://www.wingmakers.us
© Copyright 2011
QUATRAIN 27 is a theoretical study group looking at unpublished information believed to conceal the true meaning for the Prophecies of Michel de Nostredame 1503-1566 (Nostradamus).
Axis and Ana published material they received in an open and transparent manor for others to consider.
Proposals for future research to expand this study are being considered.
The right of ex.TV Producer Axis & his partner Ana to be identified as the authors of this work has been asserted by them in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved.
Note: The material contained in this online blog is set out in good faith for general public consideration and no liability can be accepted as a result of relying on statements made in this blog. The writers of this blog remain neutral in their opinion until absolute proof can be supplied and verified by peer review.
